Special:
Catch Candlelight Opera
at:
The Oasis, Toronto--Saturday,
July 5, 2003 with special guest Chris Casserly
VOX, Toronto--Friday August 8, 2003
(click
here for more show details)
In This Issue:
The Business of Music, Part 4 of 8. Featuring insights into
the Canadian Music industry as presented by Bob Roper
GearBOX
Our Expose of equipment and home recording best practices
Reviews & Features
Tim Cameron
Glory Story
And the WHOREY goes to...
Archives
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Indie Night at C'est What?-Vyletz, Erin Smith, Andrew Spice, and Beautiful
Senseless
By Julian Vardy
Thursday, June 19--You
can almost always count on good music at C'est What. When I
saw in the local listings that Erin Smith was playing, whom
I have always enjoyed, I didn't hesitate to check out the show, even
though three other acts that I have never heard of were playing. As
usual, I wasn't disappointed. |
Vyletz
opened the evening with some powerful up-tempo acoustic folk tunes
in the vein of Indigo Girls. Vyletz consists of Liz
and chelle, who previously enjoyed success as solo acts
before collaborating on this project. The first tune was called Textbooks,
which chelle astutely pointed out was about books. They used
aggressive strumming and quick tempos to create a high-energy mood.
My favourites were Pump, which had Liz doing a cool
high guitar part over top of chelle's strumming, and one tune that
I didn't get the name of, a satire of the mass-produced pop sound
which had a great rap bit in the middle performed by chelle. |
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Next up was Erin
Smith, singing lead and playing guitar, accompanied by Janine
Stoll on back-up vocals. Erin is the namesake of the Erin
Smith Band, and collaborator in the Ladybird
Sideshow, a songwriter-in-the-round group who just returned
from a western tour. Erin's powerful vocals and fantastic stage presence
allow her to give the impression of a full band even when she is playing
solo, and Janine's vocals were a great added touch. Her music reminds
me of the funkier Sheryl Crow numbers although her voice
is clearer than Sheryl's. A stark contrast to Vyletz powerful strumming,
Erin's playing was sparser and minimalist, throwing chords on off-beats
to give a more groove oriented accompaniment to her vocals, which
I really liked. Highlights were Down By The Riverand
Secret City,but there wasn't a bad song in the set. |
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Andrew Spice
was the next act, and provided yet another different sound. He is
a solo piano player and vocalist who just moved here from Manitoba.
Playing on an actual upright piano, he had a soft, breathy voice,
reminiscent of Thom Yorke in a lower register. His
originals were well put together, with insightful lyrics and great
melodies, and he gave away a few of his influences by covering Tori
Amos and Oasis. From an energy level standpoint
it might have made sense for him to go on first, as he was far mellower
than the previous two acts, but his playing and vocals managed to
draw the audience in.
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To complete the evening, Beautiful
Senseless, the first and only band of the night, took the stage.
With a lineup that included a trumpet, two guitars, a keyboard player,
and the standard bass and drums, they just managed to fit on the
tight C'est What stage. From my vantage point, I couldn't even see
the keyboard player, who was off to the side. The trumpet added
a nice touch. I would describe their music as Catherine Wheel
crossed with Dinner is Ruined. Hailing from
the musical hotbed of Guelph, Ontario, they are releasing a new
CD in July.
Be sure to catch any of these great acts if you see them listed.
In particular, Erin Smith plays C'est What regularly with
and without her band, and I would recommend making a point
of catching her funky pop show any chance you get.
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