Networking Newsletter for Musicians

Volume 5- Tuesaday, July 1, 2003

Special:

Catch Candlelight Opera at:

The Oasis, Toronto--Saturday, July 5, 2003 with special guest Chris Casserly

VOX, Toronto--Friday August 8, 2003

(click here for more show details)

In This Issue:

NETWORKING 101

The Business of Music, Part 4 of 8. Featuring insights into the Canadian Music industry as presented by Bob Roper

GearBOX

Our Expose of equipment and home recording best practices

Reviews & Features

Tim Cameron

Glory Story

And the WHOREY goes to...

Archives

About GW Review

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Indie Night at C'est What?-Vyletz, Erin Smith, Andrew Spice, and Beautiful Senseless

By Julian Vardy

Thursday, June 19--You can almost always count on good music at C'est What. When I saw in the local listings that Erin Smith was playing, whom I have always enjoyed, I didn't hesitate to check out the show, even though three other acts that I have never heard of were playing. As usual, I wasn't disappointed.
Vyletz opened the evening with some powerful up-tempo acoustic folk tunes in the vein of Indigo Girls. Vyletz consists of Liz and chelle, who previously enjoyed success as solo acts before collaborating on this project. The first tune was called Textbooks, which chelle astutely pointed out was about books. They used aggressive strumming and quick tempos to create a high-energy mood. My favourites were Pump, which had Liz doing a cool high guitar part over top of chelle's strumming, and one tune that I didn't get the name of, a satire of the mass-produced pop sound which had a great rap bit in the middle performed by chelle.
Next up was Erin Smith, singing lead and playing guitar, accompanied by Janine Stoll on back-up vocals. Erin is the namesake of the Erin Smith Band, and collaborator in the Ladybird Sideshow, a songwriter-in-the-round group who just returned from a western tour. Erin's powerful vocals and fantastic stage presence allow her to give the impression of a full band even when she is playing solo, and Janine's vocals were a great added touch. Her music reminds me of the funkier Sheryl Crow numbers although her voice is clearer than Sheryl's. A stark contrast to Vyletz powerful strumming, Erin's playing was sparser and minimalist, throwing chords on off-beats to give a more groove oriented accompaniment to her vocals, which I really liked. Highlights were Down By The Riverand Secret City,but there wasn't a bad song in the set.

Andrew Spice was the next act, and provided yet another different sound. He is a solo piano player and vocalist who just moved here from Manitoba. Playing on an actual upright piano, he had a soft, breathy voice, reminiscent of Thom Yorke in a lower register. His originals were well put together, with insightful lyrics and great melodies, and he gave away a few of his influences by covering Tori Amos and Oasis. From an energy level standpoint it might have made sense for him to go on first, as he was far mellower than the previous two acts, but his playing and vocals managed to draw the audience in.

To complete the evening, Beautiful Senseless, the first and only band of the night, took the stage. With a lineup that included a trumpet, two guitars, a keyboard player, and the standard bass and drums, they just managed to fit on the tight C'est What stage. From my vantage point, I couldn't even see the keyboard player, who was off to the side. The trumpet added a nice touch. I would describe their music as Catherine Wheel crossed with Dinner is Ruined. Hailing from the musical hotbed of Guelph, Ontario, they are releasing a new CD in July.

Be sure to catch any of these great acts if you see them listed. In particular, Erin Smith plays C'est What regularly with and without her band, and I would recommend making a point of catching her funky pop show any chance you get.

 
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